“An enthralling, epically adventurous work. – The New York Times
“Ms. Driscoll is fascinating in that she makes such utterly original work. It doesn’t look like anything you’ve ever seen before, nor can you imagine thinking it up. – — The New York Times
“No to prettiness, no to glamour, no to glistening muscular limbs. Yes to intensity, yes to body heat, yes to wildness, freedom, and in-your-face defiance. – Dance Magazine
“Driscoll understands that at the heart of live theater are emotional distances (perspective, we might call it if this were a painting). She beams a light on theatrical self-fashioning, and lets you feel the scraps of being fluttering in the dark. – Arts Journal
“Faye Driscoll is a postmillenium, postmodern wild woman. A wild woman with a scrupulous sense of form that she tweaks into eye-opening weirdness. Ferocious, hilarious, and disturbing… – Village Voice
“Driscoll is one of the few contemporary artists who effectively place artistic disciplines in conversation—drawing on theater, dance, and installation art without using any of them to critique the others. – Walker Art | Fourth Wall


Faye Driscoll is a Doris Duke Award-winning performance maker who has been hailed as a “startlingly original talent” by The New York Times and “a postmillenium postmodern wild woman” by The Village Voice. She was the 2021-2022 Randjelovic/Stryker Resident Commissioned Artist at New York Live Arts, and is the recipient of a Guggenheim fellowship, a Bessie award and the Jacob’s Pillow Artist Award among many others. Her work has been presented at Wexner Center for the Arts, Walker Art Center, ICA/Boston, MCA Chicago and BAM, and internationally at Tanz im August, Kunstenfestivaldesarts, La Biennale di Venezia, Festival d’Automne à Paris, Melbourne Festival, Belfast International Arts Festival, Onassis Cultural Centre in Athens and Centro de Arte Experimental in Buenos Aires.

She recently premiered Calving (2022) at Theater Bremen (Bremen, Germany), and Weathering (2023) at New York Live Arts, (NY, USA). In 2020, her first-ever solo exhibition, Come On In, opened at Walker Art Center and then went on to Portland Institute for Contemporary Art, On the Boards, and Esplanade in Singapore, offering gallery-goers an experience of six distinct audio-guided experiences called Guided Choreographies for the Living and the Dead.


Created by Faye Driscoll
Scenic Design by Jake Margolin and Nick Vaughan
Lighting Design by Amanda K. Ringger
Sound and Music Director: Sophia Brous
Live Sound and Sound Design by Ryan Gamblin

Faye Driscoll’s Weathering is a multi-sensory flesh sculpture made of bodies, sounds, scents, liquids and objects. Ten people (dancers/singers/crew) enact a glacially morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience embanks the performers, close enough to smell the sweat and feel the steam of the central, spiraling scenes. The symphonically active, luminously living work is a breathing, leaking, choreography of micro events within a momentum thrusting from just beyond the perceivable. Driscoll and her team of collaborators ask: How do we feel the impact of events moving through us which are so much larger? Yet are animating and activating our bodies all the time? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?

Weathering is commissioned and produced by New York Live Arts as part of the Randjelović/Stryker Resident Commissioned Artist Program, which is made possible with lead funding from the Mellon Foundation and has been named for lead donors Jon Stryker and New York Live Arts board Vice-chair Slobodan Randjelović; and co-commissioned by Theater der Welt 2023 in Frankfurt – Offenbach and The Joyce Theater Foundation’s Artist Residency Center, made possible by lead funding from The Mellon Foundation, Howard Gilman Foundation, LuEsther T. Mertz Charitable Trust and Doris Duke Charitable Foundation. Additional commissioning support provided by Wexner Center for the Arts and members of Faye Driscoll’s Commissioners Circle.

Weathering is made possible with generous support from New York State Council on the Arts, Café Royal Cultural Foundation and NYC Department of Cultural Affairs, and developed with residency support from Carolina Performing Arts at University of North Carolina at Chapel Hill, Maggie Allesee National Center for Choreography at Florida State University, Pillow Lab at Jacob’s Pillow, and Dancers’ Workshop.

Stage: Black Box
Capacity: 100-500
Traveling Personnel: 14
Running time: 75 minutes



January 2 – 13, 2024 | Live Artery @ New York Live Arts, New York, NY
January 15 – 22, 2024 | Blackwood Gallery, Toronto, CAN
February 19 – 25, 2024 | Carolina Performing Arts, Chapel Hill, NC