PRESS
“The term “experimental” tends to signal an ambition to flaunt difficulty and occlude meaning, but 600 Highwaymen’s experiments with theatrical form are distinctly generous. That is the case with “A Thousand Ways,” which takes a simple premise and turns it into magic.”
The New Yorker
The New Yorker
on
600 HIGHWAYMEN
“A remarkable achievement – sleek, engrossing…Director Kaneza Schaal stages the piece with a keenly alert sense of how to fit all the jigsaw pieces together…a calm, almost effortless virtuosity…Dessner has crafted a score of striking versatility and expressive power…sends the audience out of the hall in a jumble of emotion and faith.”
Boston Classical Review
Boston Classical Review
on
Triptych (Eyes of One on Another)
“The producer-artist relationship in all its variations is the essential driver of new work, and new work is the lifeblood of our creative systems. CIPA was born to support all sectors of the industry in understanding how to nurture that essential, oft-hidden relationship, and we are deeply grateful for the Mellon Foundation and our strategic partners at Lower Manhattan Cultural Council for their pioneering recognition of it. They have provided vital support, in a time of crisis, toward a brighter future for the arts,”
Tommy Kriegsmann, President of ArKtype & CIPA Organizing Committee Member